The Rape of the Masters

by Roger Kimball

Colleges and universities used to teach art history to encourage connoisseurship and acquaint students with the riches of our artistic heritage. But now, as Roger Kimball shows in this witty and provocative book, the student is less likely to learn about the aesthetics of master works than be told, for instance, that Peter Paul Rubens's great painting "Drunken Silenus" is an allegory about anal rape. Or that Courbet's famous hunting pictures are psycho-dramas about "castration anxiety." Or that Gauguin's "Manao tupapau" is an example of the way repression is "written on the bodies of women." Or that Jan van Eyck's masterful Arnolfini Portrait is about "middle-class deceptions...and the treatment of women." Or that Mark Rothko's abstract "White Band (Number 27)" "parallels the pictorial structure of a pieta." Or that Winslow Homer's "The Gulf Stream" is "a visual encoding of racism." In The Rape of the Masters, Kimball, a noted art critic himself, show how academic art history is increa