by Zachary Leader
The Romantic author as spontaneous, extemporizing, otherworldly and autonomous is a fiction much in need of revision. Zachary Leader argues that the continuing influence of a Romantic preference for what comes naturally, with a concomitant devaluing of secondary processes, distorts our understanding of the actual creative practices of writers of the period, even those most closely associated with Romantic assumptions. 'Second thoughts' (including those of collaborators) play a crucial role in the writings of Wordsworth, Byron, Coleridge, Mary Shelley, Clare, and Keats. Other assumptions complicated by a study of the actual revising practices of Romantic writers are those which associate composition with the organic and with process, or which characterize authors as independent agents or figures of coherent and consistent subjectivity. In the first part of the book, Leader shows how revisionary and editorial habits (those not only of the writers themselves but of their modern editors) r
Roald Dahl
Zora Neale Hurston
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