by Robert E. B Lucas
"Jefferson and the Iconography of Romanticism explores in detail the national iconography of Monticello. It contextualises the villa in relation to Jefferson's earlier explorations of American identity; examines the attempt to establish at Monticello fixed signs of the myth of the fourth of July during the return of La Fayette in 1824; and, finally, shows how Monticello became a site of contention in the definition of what it is to be American."--Jacket.
Frederick Taylor
Leonard Mlodinow
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