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by Mary Eleanor Triece
"Protest and Popular Culture is at once a historical monograph and a critique of postmodernist approaches to the study of mass media, consumerism, and popular political movements. In it, Triece compares the self-representations of several late-nineteenth- and twentieth-century women's protest movements with representations of women offered by contemporaneous mass media outlets. She shows that from the late-nineteenth century until the present day, U.S. women's protest movements sought to convince women that they are first and foremost laborer/producers, while the U.S. media has just as consistently sought to convince women that they are primarily consumers. Triece contends that these approaches to portraying women have been and continue to be constructed in opposition to one another. The leaders of women's protest movements, she argues, have long sought to convince women not to spend time and money on reshaping their selves through consumer purchases, but instead to focus attention on
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