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by Charles J. Shindo
More than any other event of the 1930s, the migration of thousands of jobless and dispossessed Americans from the Dust Bowl states to the "promised land" of California evokes the hardships and despair of the Great Depression. In this innovative new study, Charles Shindo shows how public memory of that migration has been dominated not by academic historians but by a handful of artists and reformers. Shindo examines the images of Dust Bowl migrants in photography, fiction, film, and song and marks off the various distances between these representations and the realities of migrant lives. He shows how photographer Dorothea Lange, novelist John Steinbeck, Hollywood filmmaker John Ford, and folksinger Woody Guthrie, as well as folklorists and government reformers, sympathized with the migrants' plight but also appropriated that experience to further their own aesthetic and ideological agendas. Lange's "Migrant Mother" and other photos, the powerful story of the Joad family in Steinbeck's Th
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Roald Dahl
N.W. MARTIN