Courtly desire and medieval homophobia

by Elizabeth B. Keiser

In the first comprehensive study of Cleanness and its medieval contexts, Elizabeth B. Keiser shows how this fourteenth-century religious poem legitimates erotic pleasure as natural apart from procreative justification and thus represents a unique moment in Western culture. She argues that Cleanness sacralizes heterosexual erotic play while condemning male homosexual love as profaning the Creator's workmanship and his nature. To situate the poem in the context of medieval homophobic constructions of nature as the basis of sexual norms, this book compares Cleanness's concepts of sexual desire and deviance with those its literary and theological antecedents, including Thomas Aquinas's discourse on temperance, Alain de Lille's Complaint of Nature, and Jean de Meun's Romance of the Rose. Cleanness is shown to be unconventionally affirmative of loveplay and other refinements of courtly artifice. Keiser explores the broad intellectual and social consequences of this celebration of late mediev